Daniella On Design

Design editor Mitchell Owens once said: “Laura Sartori Rimini and Roberto Peregalli—partners in Milan-based Studio Peregalli—are time travelers, wizards whose spells conjure the distant past. Not precise replications, mind you, but rooms where historical precedents are employed as springboards for contemporary creativity, blue-blooded decors wherein traditional craftsmanship is not only celebrated but revered. Most of […]

“Masterfully combining sophistication with simplicity, Kathe and Tommy Clements intuitively demonstrate that great projects depend on a symphonic cohesion between architecture and interiors. Their sense of style, leaning on textured, earthy materials and simple patinated forms, creates a casual elegance that feels at once humanistic and luxurious. They are simultaneously rigorous creative collaborators and divinely

In his book Portrait of an Artist, recently published by Prestel, multidisciplinary artist Hugo Huerta Marin (b. 1985) reinvents the notion of portraiture, creating a personal statement and depicting history through portraits. The product of a seven-year journey, this beautifully-designed volume of 30 leading female figures of the art world is a testimony to their

No other furniture designer has become as well known—as much a household name—as Thomas Chippendale. He was so prolific in the 18th century that his name has become synonymous with a particular style. But Chippendale is not a style, and is certainly not the heavy mahogany furniture associated with the name. Thomas Chippendale was a London

Yoga is the engine of my creativity, the power beyond the performance, the spiritual fulfillment, and the single most substantial agent of transformation that I have ever experienced. I have practiced Mysore-Style Ashtanga—the most vigorous of all yoga schools—for 17 years. My grandmother, Henrietta Reich, was the first to introduce me to yoga. I was

Whether I travel for business or pleasure, architecture has been a favorite focus, and particularly visiting masterpieces of modern architecture. I can travel to the end of the world just to see, to feel, to experience a great building. Why? Because architecture has the power to affect us in the most extraordinary way, to bring

Congratulations to Jen Roberts and the team at Design Miami who against all odds succeeded to put together the most spectacular show in Basel and opened up the world again. Above: Games Table by Franco Camp & Carlo Graffi, presented by Geoffrey Diner Gallery Installation by Joseph Walsh

The similarity between Scandinavian and Japanese aesthetics is easily recognized. It is not only a distinctive simplicity and a respect to craftsmanship, to nature, and to materials, but also historic interchange between the two cultures, which is rooted in the late 19th century. Look, for example, at the iconic Hotel Okura, designed by Toshiro Taniguchi in

Pauline Baer de Perignon, a Parisian educator of writing workshops, succeeded against all odds in retrieving important works of art which belonged to her family and were confiscated by the Nazis. Her remarkable journey is told in The Vanished Collection, a new volume in English, published by New Vessel Press. For my generation, third generation

We are used to see single-owner collections appear on the market once their owners pass. This is not the case with the collection of Annie Bernheim-Dalsace and Jean Dalsace, which will be offered by Christie’s Paris on October 7th, and will mark one of the most anticipated events of the season. In fact, it has