Seymour Stein, the Collector

Even if you have never heard the name of Seymour Stein, you have certainly enjoyed his enterprise. Because Stein (b. 1942) is the co-founder (with Richard Gottehrer) and Chairman of Sire Records, one of the world’s most influential record labels, and the one which famously came to introduce British underground progressive bands to the American market. Less known is that Seymour has lent his extraordinary eye for music to collecting design, and that he has been a serious collector, who over the past 40 years developed an amazing connosseruship in historical design, particularly ceramics. On February 16th Rago will offer his collection for sale. It will be the third portion of Stein’s collection offered by the NJ-based auction house, and certainly the best of the three.  

Stein’s legacy is well know. In 1955, when he was just 13 years old, he was granted access to the Billboard archives, where he painstakingly transcribed two decades of charts, developing his encyclopedic memory of songs. After high school, he joined the Billboard staff, then worked for King Records and Red Bird Records, until founding Sire Records in 1967. He has been credited for putting New Wave music on the mainstream ma, with Talking Heads and the Pretenders, and the first to sign Madonna.

The story of Stein as a collector and his defined taste is told in this auction. Like many collectors who started to shape their passion for design in the 80s, he has a particular love for French Art Deco. Under the guidance of his long-time curator and adviser Rodney Richardson, Stein has acquired some of the finest examples of ceramics, glass, and furniture that appeared on the market. ‘Seymour always gave us excellent material,’ told me David Rago, the dynamic founder of the auction house, ‘but this is the best of all.’ The sale includes extraordinary examples of lacquer furniture and panels by Jean Dunand, rarely seen glass panels by Rene Lalique, and breathtaking historical ceramics. An amazing opportunity to score refined examples of 1930s design.

René Buthaud
Vase
France, c. 1930
glazed earthenware12¼ h × 9¾ l in (31 × 25 cm)
estimate: $2,000–3,000

Eugène Printz
Table-bibliothèque
France, c. 1928
walnut, oak, brass23¾ h × 27 dia in (60 × 69 cm)
estimate: $30,000–40,000
Gio Ponti
Nautica coupes, set of two
Richard Ginori
Italy, 1927
glazed porcelain7½ h × 6 dia in (19 × 15 cm)
estimate: $2,000–3,000
Gio Ponti
Pugili vase
Richard Ginori
Italy, c. 1929
glazed earthenware8½ h × 7½ dia in (22 × 19 cm)
estimate: $2,000–3,000
René Lalique
Athlètes panel, model D
France, c. 1928-30
molded glass, metal frame16¾ h × 44¼ w in (43 × 112 cm)
estimate: $40,000–60,000
Gio Ponti
Pellegrino di Montesanto bowl and Velesca coupe
Italy, 1927
glazed porcelaincoupe: 7½ h × 6 dia in (19 × 15 cm)bowl: 8¼ h × 4 dia in (21 × 10 cm)
estimate: $1,300–1,800
André Plantard for Sèvres
Large covered vase with harvest scenes
France, c. 1935
glazed stoneware20 h × 15 dia in (51 × 38 cm)
estimate: $6,000–9,000
Robert Lallemant
Vases, set of two
France, c. 1925
glazed earthenware8¾ h × 8½ w × 4 d in (22 × 22 × 10 cm)7 h × 5¼ w × 5¼ d in (18 × 13 × 13 cm)
estimate: $1,000–1,500
Louis Randour
Vase
France, c. 1935
glazed earthenware13 h × 9 dia in (33 × 23 cm)
estimate: $800–1,200
Jean Dunand 1877–1942
La Pêche, c. 1935
stucco, gold leaf, and lacquer over wood, original lacquered and gilt wood frame24⅛ h × 22⅜ w in (61 × 57 cm)
estimate: $50,000–70,000
Georges Ventrillon for Mougin
Vase
France, c. 1925
glazed stoneware9½ h × 8½ dia in (24 × 22 cm)
estimate: $1,000–1,500
Max Laeuger
Vase
Karlsruhe Majolika
Germany, c. 1925
glazed earthenware with squeeze-bag decoration9½ h × 7 dia in (24 × 18 cm)
estimate: $1,000–1,500
Pierre-Auguste Gaucher for Sèvres
Large vase
France, 1947
glazed porcelain19 h × 14 dia in (48 × 36 cm)
estimate: $2,000–3,000
Edgar Brandt
La Tentation floor lamp base
France, c. 1925
bronze62½ h × 11¾ dia in (159 × 30 cm)
estimate: $15,000–20,000