Daniella Ohad

Eileen Gray

When leaving the new exhibition ‘Eileen Gray,’ opened to the public today at the museum of my alma mater, the Bard Graduate Center, I felt exactly the way I love feeling when exiting a remarkable show. That design can take your breath away; that scholarship has the power to expand the experience beyond what we […]

Eileen Gray Read More »

Fresh and Relevant: the New British Galleries at the Met

How to turn historical decorative arts into a blockbuster showcase, making them fresh, intriguing, and relevant to the 21st century viewer? Go to the newly-installed British Galleries at the Met, which were unveiled today, following six-years of renovation by Roman and Williams. You will find the answer in the ambitious project, which comes to celebrate

Fresh and Relevant: the New British Galleries at the Met Read More »

Is Less a Bore?

If you ask architects today whether they prefer Mies van der Rohe’s modernist slogan ‘Less is More,’ or Robert Venturi’s counter postmodernist phrase ‘Less is a Bore,’ you would probably get the first one as the premier answer. If contemporary architecture is much about complexity, expressiveness, dogma-free, narrative, and experience, why do we still dislike

Is Less a Bore? Read More »

Dennis Freedman: the Connoisseur

‘Radical Italian Design,’ also known as ‘Anti-Design,’ was a Movement flourished in between the late 60s and the mid-80s. It was a complicated, sophisticated, Utopian movement, which did not produce objects just for everyone, but rather perceived design as a means to express narratives, political and social statements, critical against commercialism, expression of conceptualism, democracy,

Dennis Freedman: the Connoisseur Read More »