Daniella Ohad

I admit, I was not used to thinking of spaces in bold reds, blues, and yellows aside from the work of De Stijl—the early modernist and part of the Dutch movement—which advocated for abstraction and universality by being reduced down to the essentials of forms and colors. The current exhibition is by Swiss contemporary artist […]

I am honored to be included in the Honorary Committe of the Salon Art + Design. An Interview about the the upcoming fair.

I will never forget my visit to the studio of Colombian textile artist Olga de Amaral (b. 1932) and her husband Jim in Bogotá during the fall of 2017. It was certainly a turning point for me, as it was the first time that I understood and saw textile art in a way I never

What do we consider comfort, and what do we consider private? How did past societies handle privacy and hygiene? How have designers throughout history addressed these notions of life, and what objects did they formulate in order to accomodate desired privacy? How did art history, TV history, and contemporary technologies deal with those themes? They

I call it Paris’ best kept secret because most people, including many of my friends and colleagues who live in Paris and really know architecture, have not been there—yet. I’m of course referring to the Albert Kahn Museum, a unique place that holds a magnificent experience which merges history, art, design, architecture, and landscape design

While the work of Swiss artist Alberto Giacometti (1901-1966) has proven to be highly famous, prolific, costly, and widely admired, the newly opened Institut Giacometti (opened since 2018) brings to light many unknown aspects of his work, and thus a chance to get a new, fresh look at his oeuvre. Located on a quiet, picturesque

Last week I attended the opening night of the exhibition Materialized Space: The Architecture of Paul Rudolph. As I witnessed the entire architecture community sip cocktails and view the exhibit, it felt as if the Museum had entered a new age under the wings of Abraham Thomas, The Met’s Daniel Brodsky Curator of Modern Architecture,

Wajima has been the cradle of Japanese lacquer art since the craft was brought from neighboring Korea to Japan thousands of years ago. The distinctive style developed in the port city known as Wajima-nuri and made in urushi—the sap of the lacquer tree—has become synonymous with high quality and innovation in Japanese decorative. At present,

When Robert Venturi was 66 years old in 1991, he received the Pritzker Prize (known as the Nobel Prize of architecture). He was praised by the jury for merging art and architecture like no one before him, and his influential treatise, Complexity and Contradiction in Architecture (1967), has been credited for diverting the mainstream of